“You suspect him?”
| “Lizabetha Prokofievna!” exclaimed the prince. |
“‘Camellias!’ I said, ‘father, save me, save me, let me have some camellias!’ He was a tall, grey old man--a terrible-looking old gentleman. ‘Not a bit of it,’ he says. ‘I won’t.’ Down I went on my knees. ‘Don’t say so, don’t--think what you’re doing!’ I cried; ‘it’s a matter of life and death!’ ‘If that’s the case, take them,’ says he. So up I get, and cut such a bouquet of red camellias! He had a whole greenhouse full of them--lovely ones. The old fellow sighs. I pull out a hundred roubles. ‘No, no!’ says he, ‘don’t insult me that way.’ ‘Oh, if that’s the case, give it to the village hospital,’ I say. ‘Ah,’ he says, ‘that’s quite a different matter; that’s good of you and generous. I’ll pay it in there for you with pleasure.’ I liked that old fellow, Russian to the core, _de la vraie souche_. I went home in raptures, but took another road in order to avoid Peter. Immediately on arriving I sent up the bouquet for Anfisa to see when she awoke.
“Why? Do you know anything about it? Look here,” continued the general, more agitated than ever, and trembling with excitement, “maybe I have been letting the cat out of the bag too freely with you, if so, it is because you are--that sort of man, you know! Perhaps you have some special information?”| “Then it was not simply a matter of bills?” Muishkin said at last, with some impatience. “It was not as she said?” |
“The thought steps in, whether one likes it or no, that death is so terrible and so powerful, that even He who conquered it in His miracles during life was unable to triumph over it at the last. He who called to Lazarus, ‘Lazarus, come forth!’ and the dead man lived--He was now Himself a prey to nature and death. Nature appears to one, looking at this picture, as some huge, implacable, dumb monster; or still better--a stranger simile--some enormous mechanical engine of modern days which has seized and crushed and swallowed up a great and invaluable Being, a Being worth nature and all her laws, worth the whole earth, which was perhaps created merely for the sake of the advent of that Being.
Both she and Aglaya stood and waited as though in expectation, and both looked at the prince like madwomen.
And suddenly, just as twice already he had awaked from sleep with the same vision, that very apparition now seemed to rise up before him. The woman appeared to step out from the park, and stand in the path in front of him, as though she had been waiting for him there.
| The general flushed with indignation as he spoke. |
“Ah! Well, if it was Rogojin--but do you know what she writes to me about?”
| “No, I’ve heard nothing of this from Lebedeff, if you mean Lebedeff.” |
We suspect, for instance, that having commissioned Lebedeff and the others, as above, the prince immediately forgot all about masters of ceremonies and even the ceremony itself; and we feel quite certain that in making these arrangements he did so in order that he might absolutely escape all thought of the wedding, and even forget its approach if he could, by detailing all business concerning it to others.
He panted, and could hardly speak for agitation. He advanced into the room mechanically; but perceiving Nina Alexandrovna and Varia he became more or less embarrassed, in spite of his excitement. His followers entered after him, and all paused a moment at sight of the ladies. Of course their modesty was not fated to be long-lived, but for a moment they were abashed. Once let them begin to shout, however, and nothing on earth should disconcert them. This is the reason why he was so unwilling to take lunch (on the morning upon which we took up this narrative) with the rest of his family. Before the prince’s arrival he had made up his mind to plead business, and “cut” the meal; which simply meant running away. “I rather think I pitched into you, too, didn’t I? Forgive me--do! Who is he, did you say? What prince? Muishkin?” she added, addressing Gania. “Ah, yes--you were going away just now, and I thought to myself: ‘I shall never see these people again--never again! This is the last time I shall see the trees, too. I shall see nothing after this but the red brick wall of Meyer’s house opposite my window. Tell them about it--try to tell them,’ I thought. ‘Here is a beautiful young girl--you are a dead man; make them understand that. Tell them that a dead man may say anything--and Mrs. Grundy will not be angry--ha-ha! You are not laughing?” He looked anxiously around. “But you know I get so many queer ideas, lying there in bed. I have grown convinced that nature is full of mockery--you called me an atheist just now, but you know this nature... why are you laughing again? You are very cruel!” he added suddenly, regarding them all with mournful reproach. “I have not corrupted Colia,” he concluded in a different and very serious tone, as if remembering something again.| “Oh, father’s curse be hanged--you don’t frighten me that way!” said Gania. “Whose fault is it that you have been as mad as a March hare all this week? It is just a week--you see, I count the days. Take care now; don’t provoke me too much, or I’ll tell all. Why did you go to the Epanchins’ yesterday--tell me that? And you call yourself an old man, too, with grey hair, and father of a family! H’m--nice sort of a father.” |
| All this filled poor Lizabetha’s mind with chaotic confusion. What on earth did it all mean? The most disturbing feature was the hedgehog. What was the symbolic signification of a hedgehog? What did they understand by it? What underlay it? Was it a cryptic message? |
| “Oh, Mr. Lebedeff, I am told you lecture on the Apocalypse. Is it true?” asked Aglaya. |